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    A follow up of sorts to the Christmann/Schönenberg duo record WE PLAY, featuring work from a couple of years later. The two men have really honed their craft; the communication is remarkable, and remarkably transparent. By the time Harald Bojé's synth starts burbling beneath their four Approaches, we've entered the realm of magic abstractions.

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1.
05:02
2.
04:24
3.
03:13
4.
12:29
5.
6.
7.
8.
02:02
9.
04:29
10.
03:41
11.
06:10

about

Compositions 1-4 by Günter Christmann & Detlef Schönenberg.
Compositions 5-7 by Günter Christmann.
Compositions 8-11 by Günter Christmann, Detlef Schönenberg & Harald Bojé.

credits

released February 11, 1976

REVIEWS
"Special mention must be made of Christmann’s three solo pieces (on Remarks) which are far enough removed from any conventional instrumental sound that they might easily pass for electronic music.
Complementing Christmann most of the time is Detlef Schönenberg, and he shares equally in creating the music. He is an original player who flows with and moves in and out of Christmann’s work, functioning as a type of roving 'orchestrator.'” --Bells

Günter Christmann: trombone, double bass
Detlef Schönenberg: percussion
Harald Bojé: synthesizer

Tracks 1, 2 & 4 recorded live by Jost Gebers on August 16th, 1975, during the concert series Free Concerts at the Townhall Charlottenburg in Berlin.

Tracks 3, 5-7 recorded by Christmann/Schönenberg on August 8th, 1975, at the Gymnasium in Langenhagen.

Tracks 8-11 recorded by Christmann/Schönenberg on March 3rd, 1975, at the Hochschule für Musik Rheinland in Wuppertal.

CD mastering by Olaf Rupp.
Produced by Jost Gebers.

Cover design and photographs by K. Brüsehoff.

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